I went to Manchester yesterday to speak with David Sanjek – former head of archives at BMI in the US, now a professor at the University of Salford.
We ended up talking for three hours over coffee and covered everything from the history of music copyright in America to the effect of digitalisation on the practice of archiving. There’s a lot of information to sort through, and a lot of very helpful leads to follow up on.
But I thought I’d give you a taste of the conversation – which included some real eye-opening revelations.
David reassured me that the boss of any record label could demand an inventory of all that label’s assets at any time and be sure of its comprehensiveness. But a stocktake might reveal a slightly different picture.
In brief, his assertion is:
1) A record that is not in circulation but only exists as an archival copy in a vault effectively doesn’t exist;
2) The archival copy in the vault may not exist either.
In other words – it’s worse than we thought.
However, since there is, at present, no legal or (theoretically) economic imperative to make these recordings available, it’s not really considered to be that much of a problem. Culturally speaking, of course, it’s a disaster.
6 Responses to “David Sanjek on philosophy, archives and missing masters”
Fascinating insight – would love to hear more from this chap.
Yeah – I just stumbled upon that little gem as I was skimming through the recording. I’ve yet to go through it with a fine-tooth comb – lots of material to dig out of there. I might put some more bits and pieces up here as I go.
Good piece and what immediately springs to mind is the parallel with the art world where over the centuries great (and not so great!) works of art are stolen to order. Now there are international agencies dedicated solely to tracking these stolen works down. What is the difference with music? Again this is because music as culture is not recognised as such, only as an economic activity and if some old masters (what an ironic use of the word that is!) go missing so be it. It’s interesting to note Universal’s new site http://losttunes.com so when it suits they aren’t daft to making things available.
Looking forward to hearing the rest of the interview
Fascinating snippet. I recorded at EMI’s studios a few times in the late 90′s early 00′s.. was amazed that their masters cupboard: was used as an amp booth… free access for the hundreds of bands in and out each year.. who knows how many masters ‘walked’. There were Gaydad masters (gulp) but more, shall we say, valuable ones from bands like Elastica and Starsailor……. wonder if theyre still there……
Was chatting to someone the other day who told me about the time they worked for One Little Indian and found a pile of Bjork masters on the floor, underneath a shitload of cds,boxes and whatnot. The company didn’t even know they were there. Sad, unbelievable and outrageous in equal measure.
on August 23rd, 2009 at 11:45 am #
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