Tag: recording

Building upon a stolen past

Tape Vault

Techdirt ran an interesting post recently about The Myth of Original Creators. In it, they explored the Romantic Era notion of the artist as the sole creative participant in a work.

And when I say ‘Romantic Era’, think Beethoven. He was the poster child for art as unique ‘self expression’ rather than art as contributing participant in a cultural dialogue with antecedents and referents.

I’m not saying Beethoven was deluded – and nor that his genius is diminished if I claim that no work is wholly original – but simply that he was making an assertion about his art that has captured the imagination, and which largely remains as the basis of our music copyright law.

But music – especially popular music – is part of a cultural conversation.

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Creativity, Innovation and Labour in Music

Here’s another event I’m going to try to get to:

Creativity, Innovation and Labour in Music
A symposium

Monday June 22nd – symposium, 9.30 – 5.00
Tuesday June 23rd – workshop on developing a network, 9.30 – 11.30

The Open University, Walton Hall, Milton Keynes MK7 6AA
Central Meeting Rooms

Organisers
Dot Miell, Mark Doffman, Mark Banks, Jason Toynbee, Faculty of Social Sciences, The Open
University
Raymond MacDonald, Department of Psychology, Glasgow Caledonian University

Interdisciplinary research into music at the intersection of creativity, innovation and labour is an
emerging topic that presents many challenges for researchers. For example:

• the theme of labour calls attention to musical work, economic exploitation and the everyday
processes of music making,

• innovation takes in the problem of the nature of the new in different genres, but also
questions of how musical innovation gets evaluated, rewarded or ignored,

• and creativity gestures towards issues of origination and emergence, artifice and authenticity,
the individual and the collective.

This symposium brings together experts from across the disciplines in order to develop a more
coherent analysis of how these themes converge. The format consists of a series of presentations
each followed by discussion with the aim of advancing our understanding of the topic, and
establishing an informal research network to take things forward – a workshop on the Tuesday
morning is to plan next steps.

Speakers
Martin Cloonan, Glasgow University – Creating live music: an industrial perspective

Don Knox, Glasgow Caledonian University – Who are we innovating for? The need for
interdisciplinary input in setting goals for music information retrieval

Bennett Hogg, University of Newcastle – Working through the new

Fabian Holt, University of Roskilde – Creativity and innovation in contemporary live music
production

Matt Stahl, University of Western Ontario – Recording artists, employment, domination and
democratization